Duke of Bavaria (Albrecht V or William IV)

N/A (absent, but his proposed role carries the weight of Henry’s political calculations).

N/A (not present, but implied to be a passive participant in Henry’s plans).

Not directly observable, but inferred as neutral or accommodating based on Cromwell’s portrayal. His absence from the scene allows Cromwell to shape Mary’s perception of him as a non-confrontational figure, though Mary’s skepticism suggests she is not easily swayed by such descriptions.

Calculatingly composed (his emotions are secondary to the outcome; he reveals no personal investment in Mary’s feelings)

Confidently admiring, with an undercurrent of political calculation—his charm is a tool, but his admiration for Mary feels genuine, if strategically deployed.

Reluctantly compliant, her blush and averted gaze betraying a mix of embarrassment, resistance, and quiet defiance. She is acutely aware of the political implications of her actions, yet her personal feelings—whether attraction, duty, or resentment—are carefully contained. Her compliance is not enthusiastic, but it is deliberate, a calculated move in a game she did not choose to play.

Confrontational and opportunistic, relishing the chance to undermine Cromwell’s position and gain favor with the King.

Provocative and triumphant, relishing the opportunity to undermine Cromwell’s position. His interruption is calculated, designed to plant doubt in Henry’s mind and shift the Council’s focus onto Cromwell’s alleged obstruction.