Andy Shepherd

Focused and slightly exasperated (particularly when addressing John Wadsworth), but otherwise composed. The revelation of Lynn Dewhurst’s name doesn’t phase him—his priority is mobilizing the team to act on the new information. He’s in ‘command mode,’ treating this as a tactical problem to solve.

Focused and in control, but with an undercurrent of tension—he’s acutely aware that this case is escalating, and Lynn Dewhurst’s name may be the key to unraveling it. His exasperation with Wadsworth is less about the man and more about the distraction in a moment that demands full attention.

Authoritative and serious, with a sense of urgency and determination to lead the team effectively in the face of the escalating threat.

Urgent and resolute—he is driven by the need to act swiftly, but his demeanor is calm and collected, projecting confidence in the team’s ability to handle the escalation.

Neutral but complicit, reinforcing the team’s collective suspicion

Neutral but attentive, his silence a calculated response to the tension. He is neither openly hostile nor supportive of Catherine, his stance reflecting a man who prioritizes the investigation’s integrity over individual egos.

Strategically detached—he’s not emotionally invested in Catherine’s humiliation, but he’s aware of its necessity. His silence speaks volumes: he’s either endorsing the suspicion or choosing not to challenge it, which makes him complicit in the station’s treatment of her. There’s no overt malice, but his passive acceptance of Jodie’s remark is damning.

Professional and slightly dismissive, masking any personal investment in the case. His emotional state is one of controlled urgency, as he navigates the institutional pressures of the investigation while subtly asserting his authority over Catherine.

Authoritative and urgent, with an undercurrent of impatience. He’s not here to engage in philosophical debates or validate Winnie’s contributions—he’s here to assert control and extract information or compliance from Catherine. His emotional state is transactional, focused on the next step in the investigation or institutional protocol.

Projected cold calculation and indifference—there is no empathy or hesitation in their potential actions. Their emotional state, as implied by Andy, is one of brutal pragmatism: if Ilinka is perceived as a threat, she (and by extension, Winnie) will be eliminated without remorse. Their power lies in their willingness to cross moral lines that others won’t.

Contemplative with quiet concern—he recognizes the dangers of expanding the investigation but trusts the team’s capabilities.

Emotionally unmoored, triggered by Andy’s words, and descending into a state of reactive desperation. His internal conflict manifests as a physical detour—symbolic of his moral deviation.

Professionally composed, with an underlying sense of urgency. His focus is on the investigation, and he is likely assessing the dynamics of the funeral attendees, particularly those with connections to Lynn or Tommy.

Professionally composed, with a focus on overseeing the security and investigative aspects of the funeral. His presence is a reminder of the institutional oversight, though he remains detached from the personal tensions simmering beneath the surface.

Disapproving and concerned, with a controlled intensity meant to convey the weight of her actions

Focused and composed, but with an underlying sense of gravity given the brutality of the crime. His demeanor reflects a mix of professional detachment and quiet determination to uncover the truth.

Professionally detached with a underlying sense of urgency to solve the case and prevent further victims.

Professionally focused but cautiously reserved; he balances the need for action with the risk of misdirection, aware of the station’s history and the stakes of the case.

Preoccupied and neutral—focused on the case and operational logistics, unaware of or uninterested in John’s personal distress.

Preoccupied and professional, his focus on the phone call and logistical tasks masking any awareness of John’s distress. His brief interaction serves as a contrast to John’s unraveling, highlighting the gulf between institutional expectations and personal collapse.

Preoccupied (surface: focused on logistics; internal: unaware of John’s crisis, reinforcing institutional blind spots)

Preoccupied and neutral, focused on logistical priorities (e.g., the phone call) rather than interpersonal dynamics.

Neutral and focused, but with an undercurrent of investigative determination.

Professionally composed but subtly alert; his emotional state is one of quiet vigilance, sensing that something is amiss with John’s behavior but lacking concrete evidence to act on.

Thoughtful and slightly concerned, with a growing sense of unease about the case’s similarities to previous crimes and the killer’s potential escalation.

Controlled frustration; his professionalism masks the gnawing realization that the case may slip through his fingers.

Indirectly menacing (through Amanda’s invocation of his name as leverage)

Indirectly menacing (through invocation); represents the specter of professional accountability looming over John.

Not applicable (off-screen).

Not directly observable (off-screen), but inferred as professionally composed (her alibi is treated as a matter-of-fact detail).

Not present, but his authority is felt through the team’s actions

Groggy but sharpening into focused intensity—there’s a flicker of irritation at being woken, but it’s swiftly overtaken by the realization that this call could be the break they’ve been waiting for. His brevity isn’t rudeness; it’s the shorthand of a man who knows time is critical.

Not directly observable, but inferred as a source of indirect pressure. His call likely reinforced the urgency of the rape case, creating a tension between Catherine’s professional duties and her personal grief. His absence in the car allows Catherine the space to confront her emotions, but his presence in her mind (as the voice of the police force) underscores the conflict between her roles.

Feigned calm masking deep anxiety, guilt, and fear of exposure

Detached but aware of the undercurrents in the scene. His comment is casual, but it carries weight—he recognizes the power dynamics at play.

Determined and focused, with a underlying sense of urgency to resolve the case. His acknowledgment of John’s personal connection suggests a nuanced awareness of the team’s dynamics, though he remains professionally detached.

Confidently dismissive at first, then cautiously open-minded as Jodie’s logic challenges his assumptions. His concession ('I’m ruling nothing out') masks a flicker of unease—perhaps recognizing the team’s fractures or his own blind spots.

Calculated detachment masking underlying tension—his stillness suggests a man who is either ensuring procedural compliance or gathering intelligence for his own agenda, possibly connected to the broader corruption surrounding Tommy Lee Royce’s reach.

Cautiously optimistic—excited by the prospect of a breakthrough but aware of the ethical tightrope the team is walking.

Exhausted triumph mixed with unease—he knows the case is flawed but is relieved to have CPS approval, even if it feels hollow.

Exhausted relief tinged with moral unease—he is glad the case is moving forward, but the team’s fractured confidence and the evidence’s gaps leave him unsettled.

Glum and disheartened, burdened by the realization of a critical forensic error that threatens his professional reputation and the integrity of the case.

Guilt-ridden and resigned, with a surface-level attempt at grim humor that fails to mask his deep professional shame.

Downhearted but determined, with a underlying sense of responsibility for the team’s mistakes. He is visibly affected by the weight of the investigation’s collapse but remains focused on steering the team forward, using the hit-and-run lead as a lifeline to regain momentum.

Neutral and professional on the surface, but his presence alone exudes a quiet threat, reinforcing the stakes of the investigation’s failures.

Professionally detached with an undercurrent of urgency

Relieved and excited, likely due to the potential breakthrough in the Wainstalls case and the opportunity to make progress on the Vicky Fleming murder. His eagerness to recruit another detective reflects his commitment to thorough and swift action.

Cautiously confident, with underlying tension from the weight of past investigative errors and the current PR crisis

Calmly in control, with an undercurrent of urgency. He is fully aware of the explosive nature of his accusations and uses them as a tool to test the team’s loyalty and integrity. His emotional state is one of determined leadership, bordering on ruthlessness in pursuit of the truth.

Determined but unsettled, driven by a sense of duty to pursue all leads, even those that implicate his own team. His surface professionalism masks a deep discomfort with the direction the investigation is taking, but he presses forward nonetheless.

Professionally detached but subtly urgent; his emotional state is one of controlled intensity, balancing the need to inform the public with the constraints of an ongoing investigation.

Professional, focused, and unaware of the personal impact his words have on Amanda.

Not directly observable, but inferred as focused on solving the Vicky Fleming case, with an underlying tension given the internal scrutiny of his team (e.g., John’s potential involvement).

Not physically present, but his emotional state can be inferred as devastated and broken (given the details of his blackmail and its aftermath). His absence is a void that John and Catherine inadvertently fill with their own agendas.

Focused and composed, but his unawareness of John’s crisis adds an ironic layer to the scene. His emotional state is one of professional detachment, contrasting sharply with John’s internal chaos.

Determined and slightly harried, with a underlying sense of institutional responsibility weighing on him.

Not directly observable, but inferred as focused on the broader investigation. His unavailability may stem from the pressure of the case or logistical challenges.

Neutral and focused—Joyce is the embodiment of institutional routine. She does not react to the subtext of Ann and Catherine’s conversation, nor does she linger on the implications. Her job is to relay information and keep things moving, which she does with practiced ease.

Intensely focused with an undercurrent of controlled concern. Andy’s emotional state is one of heightened vigilance, tempered by his professional experience. He is acutely aware of the potential for Royce’s actions to destabilize the team or compromise their investigations, and he is determined to prevent that from happening. There’s a sense of responsibility weighing on him, not just for the case, but for the safety of everyone in the room.

Steady and determined, with a sense of urgency that drives their coordinated actions. Their demeanor suggests a deep commitment to the mission, though there is an underlying tension reflecting the high stakes of the situation.

A tense mix of anger, disappointment, and strategic calculation. Andy’s emotional state is one of controlled fury—he is angry at John for putting the team in this position, disappointed in himself for not seeing the signs, and calculating how to mitigate the fallout. His detachment is a shield, but it is cracking under the weight of the moment.

A controlled urgency, his training and experience allowing him to manage the crisis while processing the personal loss of a colleague. He is professional but not unfeeling.

Professionally composed but visibly affected by the situation. Andy's demeanor reflects the gravity of the event, balancing the need for efficient crisis management with the emotional weight of John's suicide.

Professionally detached but inwardly troubled by the suddenness and violence of John’s death. He channels his emotions into action, ensuring the scene is managed efficiently and that all parties—including the van driver—are attended to. There is a sense of quiet urgency, a recognition that time is of the essence in securing the scene and addressing the fallout.