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Diplomacy as Theatrical Performance
Negotiation is staged as public theater: Ferengi ostentation, Devinoni Ral's focused gaze and rhetorical shutdowns, and tactical screen‑muting convert an otherwise procedural forum into a spectacle. The story shows how theatricality shapes perceived legitimacy, pressures decision-makers, and can instrumentalize third parties (including Troi), turning ethics into audience management and revealing the political power of performance.
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