Fabula
Season 2 · Episode 5
S2E5
Tragic
Screenplay by Peter Straughan
Based on the novel by Hilary Mantel
View Graph

The Mirror and the Light Episode 5

As Thomas Cromwell navigates the treacherous court of Henry VIII, securing alliances and suppressing dissent, his past actions and present enemies conspire to bring about his downfall, threatening England's stability.

In Episode 5 of The Mirror and the Light, Thomas Cromwell finds himself increasingly isolated and vulnerable within the court of King Henry VIII. The episode opens with flashbacks to Cromwell's past, reminding the audience of his controversial rise to power and the enemies he made along the way, particularly the Duke of Norfolk. Returning to the present, Cromwell is deeply involved in arranging Henry's marriage to Anne of Cleves, a strategic alliance intended to strengthen England's position against potential threats from France and the Holy Roman Empire. However, Henry is displeased with Anne from their first meeting, finding her unattractive and questioning her suitability as queen.

Cromwell faces mounting pressure as the King's dissatisfaction grows. Despite Cromwell's efforts to smooth things over and emphasize the political importance of the marriage, Henry's aversion to Anne becomes a major obstacle. Simultaneously, Cromwell navigates treacherous political waters, dealing with rivals like Norfolk and Bishop Gardiner, who seek to undermine his influence and exploit the King's discontent. Norfolk, particularly, sees an opportunity to advance his own family's position through his niece, Catherine Howard, whom he subtly presents to the King as a potential replacement for Anne.

As the King openly expresses his desire to end the marriage, Cromwell becomes the scapegoat for the failed alliance. Despite a brief moment of triumph when English diplomacy seems to be driving a wedge between France and the Holy Roman Empire, this only further isolates Cromwell, as it undermines the central rationale for the Cleves marriage. The episode traces how, despite Cromwell's efforts, allies become unreliable. Wriothesley, once a close and trusted confidant, shows an edge of opportunism. Even Fitzwilliam, previously an ally, seeks to avoid blame by distancing himself from Cromwell's actions. Loyalties previously counted on fall away, leaving Cromwell exposed to his enemies.

In a climactic confrontation, Cromwell is arrested during a Council meeting, betrayed by those he once considered allies and brought down by the machinations of his enemies. Stripped of his titles and power, Cromwell is led to the Tower, his fate uncertain, while those who orchestrated his downfall revel in their victory. The episode concludes with Cromwell's fall from grace, highlighting the fragility of power and the ruthless nature of Tudor politics, while also showcasing Cromwell's enduring intelligence as even in the moment of his arrrest, he seeks to understand the underlying pattern of his downfall.


Events in This Episode

The narrative beats that drive the story

72
Act 1

The episode opens with a stark flashback, immediately establishing the deep-seated animosity between Thomas Cromwell and the Duke of Norfolk, a rivalry that will prove fatal. In the present, Cromwell presents Hans Holbein's portrait of Anne of Cleves to King Henry VIII, an alliance he has meticulously orchestrated to secure England's position against continental threats. However, Henry's initial reaction is one of subtle but palpable disappointment, as he questions Anne's lack of English, musical talent, and hunting skills, despite her 'well and seemly' appearance in the painting. This scene introduces the central conflict: Henry's personal desires clashing with political necessity. Cromwell navigates the treacherous court, facing Norfolk's open hostility and subtle undermining, particularly regarding the dissolution of Thetford Priory. The King then unexpectedly proposes a marriage between his daughter Mary and Duke Philip of Bavaria, a move that surprises Cromwell and highlights Henry's unpredictable nature. Mary initially resists but eventually agrees to meet Philip, a meeting Cromwell observes with a mix of hope and trepidation. The act culminates in a pivotal private conversation where Henry, reflecting on their decade-long relationship, expresses a profound shift in his trust, comparing Cromwell unfavorably to the late Cardinal Wolsey. This moment serves as the inciting incident, signaling that Cromwell's once unassailable position is now precarious, and the King's favor, once his greatest asset, is now his most significant vulnerability. This sets the stage for the escalating challenges Cromwell will face, as his carefully constructed political edifice begins to show cracks under the weight of the King's shifting affections and the machinations of his enemies.

Act 2

Act Two intensifies Cromwell's struggle as King Henry's dissatisfaction with Anne of Cleves escalates, directly imperiling Cromwell's standing. Despite the Council's advice, Henry impulsively decides to meet Anne in disguise at Rochester, driven by a romanticized notion of courtship. Cromwell, recognizing the potential for disaster, dispatches Wriothesley to warn Anne and prepare her for the King's eccentric approach, hoping to mitigate the inevitable awkwardness. However, the meeting proves catastrophic; Gregory reports back to a despairing Cromwell that Anne, mistaking the disguised King for a commoner, recoiled from him, leaving Henry deeply offended and personally humiliated. This disastrous first encounter solidifies Henry's aversion. The King then openly expresses his profound physical revulsion for Anne, describing her as a 'Cornhill Maypole' with 'slack breasts' and 'sallow complexion,' and questions the validity of their marriage due to missing pre-contract papers. Cromwell attempts to deflect blame and emphasize the political necessity of the alliance, but Henry's personal feelings override all rationale. The formal arrival and wedding of Anne of Cleves proceed, but under a cloud of the King's palpable resentment. During these ceremonies, Cromwell observes Catherine Howard, Norfolk's niece, still present at court despite his earlier instructions, a clear sign of Norfolk's continued machinations and a looming threat to both Anne and Cromwell. The wedding itself is devoid of warmth, with Henry offering only perfunctory kisses, leaving Cromwell watching with a growing sense of dread as his carefully constructed plans unravel and his enemies, like Gardiner and Castillon, openly revel in his predicament. This act culminates with the marriage, a hollow victory that signals the beginning of Cromwell's end, as the King's personal revulsion for his new Queen becomes an insurmountable obstacle.

Act 3

Act Three plunges Cromwell deeper into peril as the strategic rationale for the Cleves marriage is unexpectedly undermined by a diplomatic triumph, simultaneously isolating him and empowering his enemies. Following the ill-fated wedding, Henry continues to express his disgust with Anne, complaining of her physical attributes and the lack of consummation, a fact confirmed by Lady Rochford. The Council convenes to discuss the King's desire for an annulment, where Fitzwilliam, once an ally, openly attempts to shift blame onto Cromwell, highlighting the fracturing of his support network. In a dramatic turn, Wriothesley arrives with news from Ambassador Wyatt in Spain: a diplomatic maneuver has successfully driven a significant wedge between France and the Holy Roman Emperor. This news, while a victory for England's security, proves to be a catastrophic blow to Cromwell's position. He immediately grasps the implication: with the continental powers now at odds, the urgent need for a German alliance, and thus the Cleves marriage, diminishes significantly. Norfolk, ever the astute opportunist, seizes on this, pointedly remarking that England no longer needs 'German friends' or the marriage, directly linking Cromwell's diplomatic success to his personal downfall. The pressure mounts on Cromwell, leading to a reckless and volatile confrontation with Norfolk. During this heated exchange, Cromwell, pushed to his breaking point, insults Norfolk's family and his 'pandering' of nieces, even considering drawing a weapon. Wriothesley, witnessing this, warns Cromwell of Norfolk's deep-seated hatred and the wisdom of having 'broken' him earlier, further underscoring Cromwell's isolation and the growing threat from his powerful enemies. This act marks a critical turning point where external success directly contributes to Cromwell's internal vulnerability, stripping away his last line of defense.

Act 4

Act Four presents a deceptive lull, a false dawn for Cromwell amidst the gathering storm, as Henry's manipulative nature comes to the fore. The act begins with an ominous summons from the King, who requests a private conversation on a 'matter of some gravity,' leaving Cromwell to ponder if this is the culmination of his life's work or the beginning of his end. To Cromwell's astonishment and the relief of his household, Henry announces a series of unprecedented elevations: Cromwell is made Lord Great Chamberlain and Earl of Essex, while Rafe and Wriothesley are promoted to Master Secretary. This moment of apparent triumph is met with jubilant celebration, but it is immediately undercut by Cromwell's somber reflection. Alone in his study, he wishes he could share his success with his deceased father and Cardinal Wolsey, highlighting the profound isolation that accompanies his power and the ultimate emptiness of his achievements without those he loved. The illusion of security is shattered when Bess Oughtred, Cromwell's daughter-in-law, reveals a chilling secret: King Henry is secretly visiting Catherine Howard at Lambeth, indicating his clear intention to replace Anne of Cleves with Norfolk's niece. This revelation confirms the depth of the conspiracy against Cromwell and Anne. The King then engages Cromwell in a deeply unsettling private conversation, questioning his ability to father more children, expressing his desire to 'pay off' Anne, and then bizarrely reminiscing about a fictional trip to the Weald. This interaction showcases Henry's increasingly erratic and manipulative behavior, forcing Cromwell to play along with the King's delusions while fully aware of the precariousness of his own position. This act serves as a cruel interlude, where Cromwell experiences a fleeting moment of professional apotheosis, only to have it immediately overshadowed by the stark reality of Henry's betrayal and the machinations of his enemies, setting the stage for his inevitable downfall.

Act 5

Act Five accelerates to Cromwell's inevitable and brutal downfall, culminating in his arrest and imprisonment. The act opens with Cromwell's grim realization of his precarious position, as he imparts a final, cynical lesson to Rafe: 'Never say what the King will not do.' This statement underscores his understanding of Henry's absolute and unpredictable power. A symbolic moment follows as Cromwell's hat is whipped from his head by the wind in Clock Court, and his fellow councillors, including Norfolk and Fitzwilliam, make no move to help him, visually representing his complete isolation and the abandonment by his supposed peers. The tension reaches its peak as Cromwell enters the Council Chamber, attempting to maintain a facade of normalcy. However, the room is thick with hostile silence, and Gardiner, blocking the door, delivers a chilling pronouncement of his imminent council membership, signaling the trap has been sprung. Fitzwilliam then openly brands Cromwell a 'traitor,' triggering a violent and chaotic arrest. King's Halberdiers and the councillors, led by a furious Norfolk, physically assault Cromwell, attempting to strip him of his gold chain of office. Cromwell, in a moment of raw, honest rage, fights back fiercely, landing blows and kicks, refusing to go down without a struggle. This physical resistance is a final, desperate assertion of his will against the forces arrayed against him. The struggle ends when William Kingston, Constable of the Tower, calmly steps forward, and Cromwell, recognizing the finality of his fate, loses heart and yields. Gardiner delivers a final, cutting insult, stripping Cromwell of his titles and reducing him to 'no more than God made you.' The episode concludes with Cromwell being led to the Tower, his mind racing, attempting to discern the 'underlying pattern of his downfall' even in his moment of ultimate defeat. This final act portrays the ruthless efficiency of Tudor politics and the fragility of power, as Cromwell's once formidable influence collapses under the weight of betrayal and the King's shifting will.